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Yi-Yi (A One and A Two) (2000)

Directed by Edward Yang · Cinematography by Yang Wei-han

173 min64 frames

Drama

We never live the same day twice.

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Stills, screencaps & shots from Yi-Yi (A One and A Two)

16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Yi-Yi (A One and A Two) (2000) movie still: fullbody — A dimly lit apartment hallway features closed doors and plain, textured walls. A teenage girl…Yi-Yi (A One and A Two) (2000) movie still: wide — A dark apartment balcony overlooks a curved highway illuminated by streetlights at night. A woman…Yi-Yi (A One and A Two) (2000) movie still: medium — A dimly lit room contains bookshelves and a table lamp on a surface. A pregnant woman stands by…Yi-Yi (A One and A Two) (2000) movie still: wide — A tree-shaded temple courtyard features a large central stone lantern and tall pillars. A man and…Yi-Yi (A One and A Two) (2000) movie still: wide — A tree-lined road is flanked by large mature trees forming an overhead canopy. Two men stand in…Yi-Yi (A One and A Two) (2000) movie still: medium — An dimly lit airplane cabin features passengers seated in rows of blue seats. A woman sits…Yi-Yi (A One and A Two) (2000) movie still: wide — A dimly lit lounge featuring a small stage with a performer and seated patrons. Several round…Yi-Yi (A One and A Two) (2000) movie still: wide — A group of people are arranged in rows on wide stone outdoor stairs. They are posing formally for…Yi-Yi (A One and A Two) (2000) movie still: establishing — Clouds drift across a wide expanse of daylight sky. White cumulus formations are…Yi-Yi (A One and A Two) (2000) movie still: medium — A close view of a dark CRT monitor showing a black-and-white security camera feed. The monitor…Yi-Yi (A One and A Two) (2000) movie still: wide — A dimly lit room at night contains a cello player facing a large window. A modern apartment…Yi-Yi (A One and A Two) (2000) movie still: wide — A suburban street lined with mature trees and parked cars under an overcast sky. Two monks and a…Yi-Yi (A One and A Two) (2000) movie still: medium — Two individuals stand within a narrow doorway against a plain, dimly lit wall. They face each…Yi-Yi (A One and A Two) (2000) movie still: wide — A dark hotel lobby features wood-paneled walls and minimalist fabric-covered furniture. Three…Yi-Yi (A One and A Two) (2000) movie still: fullbody — A modern multi-level lobby features blue neon lights and a grid of film posters. Two young…Yi-Yi (A One and A Two) (2000) movie still: medium — A young boy stands in a doorway looking into a dark room. The boy is framed by a heavy wooden…
Yi-Yi (A One and A Two) (2000) — © Omega Project, Nemuru Otoko Seisaku Iinkai

Yi-Yi (A One and A Two) — official trailer

What is Yi-Yi (A One and A Two) about?

A Taipei family faces personal and moral uncertainty as everyday events test their relationships and sense of purpose.

Where can you watch Yi-Yi (A One and A Two)?

US availability for Yi-Yi (A One and A Two) (2000). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Yi-Yi (A One and A Two)?

Who made Yi-Yi (A One and A Two)?

What does the cinematography of Yi-Yi (A One and A Two) look like?

Across 61 sampled frames, Yi-Yi (A One and A Two) builds its coverage from wide compositions (43% of the sample), with medium shots (41%) carrying much of the rest. Cinematographer Yang Wei-han keeps 52% of it in soft, naturalistic light. 56% of the frames play at night or in the failing light of dusk. Deep focus keeps foreground and background readable at once in 62% of the frames.

What is the color palette of Yi-Yi (A One and A Two)?

The dominant colors across the sampled frames of Yi-Yi (A One and A Two) (2000) are #32302e, #52504b, #12100e, #4f4737, #8f8776, #d3c7b1 — measured from the per-frame color data FrameThrower extracts for every film.

  • #32302e
  • #52504b
  • #12100e
  • #4f4737
  • #8f8776
  • #d3c7b1

See the full Yi-Yi (A One and A Two) colour palette — every hex with its share, plus warmth, saturation and luminance.

Yi-Yi (A One and A Two) ranks in

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Techniques in this film

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