The Last Detail (1973)
Directed by Hal Ashby · Cinematography by Michael Chapman
R104 min60 frames
DramaComedy
No *#@!!* Navy’s going to give some poor **!!@* kid eight years in the #@!* brig without me taking him out for the time of his *#@!!* life.
Stills, screencaps & shots from The Last Detail
16 of 60 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Last Detail — official trailer
What is The Last Detail about?
Two Navy men are ordered to bring a young offender to prison, but decide to show him one last good time along the way.
Where can you watch The Last Detail?
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Who stars in The Last Detail?
Who made The Last Detail?
What does the cinematography of The Last Detail look like?
Sampled across 60 frames, the coverage of The Last Detail leans on medium shots (70% of the sample) and wide compositions (25%). Cinematographer Michael Chapman keeps 72% of it in soft, naturalistic light. This is largely a daylight film — 63% of the frames play in daylight. Anamorphic glass shapes the frame. The production design places the film in the 1970s.
What is the color palette of The Last Detail?
The dominant colors across the sampled frames of The Last Detail (1973) are #302c2c, #55504b, #f7f7f7, #948876, #161413, #d6d4cf — measured from the per-frame color data FrameThrower extracts for every film.
#302c2c#55504b#f7f7f7#948876#161413#d6d4cf
See the full The Last Detail colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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