Camera Angles
Overhead & Bird’s-Eye Shots in Film
The overhead or bird’s-eye shot points the camera straight down, flattening the world into graphic composition — bodies become shapes, geography becomes diagram. It reads as omniscient, detached, sometimes godlike, which is why it marks deaths, rituals and aftermaths so often. Kubrick, Anderson and Fincher all use it as a signature.
Overhead & Bird’s-Eye Shots: examples from real films
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