Arthur the King (2024)

Directed by Simon Cellan Jones · Cinematography by Jacques Jouffret

PG-13107 min110 frames

AdventureDrama

An unexpected encounter. An unlikely bond. An unforgettable adventure.

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Stills, screencaps & shots from Arthur the King

16 of 110 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Arthur the King (2024) — © Entertainment One, Tucker Tooley Entertainment

Arthur the King — official trailer

What is Arthur the King about?

Over the course of ten days and 435 miles, an unbreakable bond is forged between pro adventure racer Michael Light and a scrappy street dog companion dubbed Arthur. As the team is pushed to their outer limits of endurance in the race, Arthur redefines what victory, loyalty and friendship truly mean.

Where can you watch Arthur the King?

US availability for Arthur the King (2024). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Arthur the King?

Who made Arthur the King?

What does the cinematography of Arthur the King look like?

Sampled across 110 frames, the coverage of Arthur the King leans on medium shots (45% of the sample) and wide compositions (34%). Cinematographer Jacques Jouffret keeps 83% of it in soft, naturalistic light. This is largely a daylight film — 76% of the frames play in daylight. Anamorphic glass shapes the frame. Focus stays shallow in 65% of the frames, isolating subjects from their surroundings.

What is the color palette of Arthur the King?

The dominant colors across the sampled frames of Arthur the King (2024) are #2b2f2c, #4e534e, #d3d3d0, #f3f3f1, #8e8d75, #2d3b46 — measured from the per-frame color data FrameThrower extracts for every film.

  • #2b2f2c
  • #4e534e
  • #d3d3d0
  • #f3f3f1
  • #8e8d75
  • #2d3b46

See the full Arthur the King colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

More films by Simon Cellan Jones

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