A Confucian Confusion (1994)
Directed by Edward Yang · Cinematography by Chang Chan
125 min59 frames
ComedyDramaRomance
Don't you break my heart?
Stills, screencaps & shots from A Confucian Confusion
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
A Confucian Confusion — official trailer
What is A Confucian Confusion about?
Over the course of a few days, the paths of a group of young friends, lovers, and acquaintances in Taipei intersect, prompting them to arrive at realizations about their lives.
Where can you watch A Confucian Confusion?
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US availability for A Confucian Confusion (1994). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in A Confucian Confusion?
Chen Shiang-Chyias Qiqi
Joyce Ni Shu-Chunas Molly
Weiming Wangas Ming
Who made A Confucian Confusion?
What does the cinematography of A Confucian Confusion look like?
Sampled across 59 frames, the coverage of A Confucian Confusion leans on medium shots (73% of the sample) and wide compositions (19%). Cinematographer Chang Chan keeps 32% of it in soft, naturalistic light. Night and dusk account for 56% of the frames. Focus stays shallow in 64% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of A Confucian Confusion?
The dominant colors across the sampled frames of A Confucian Confusion (1994) are #312f2a, #121212, #d8d3ca, #f3f2ee, #939389, #4d514a — measured from the per-frame color data FrameThrower extracts for every film.
#312f2a#121212#d8d3ca#f3f2ee#939389#4d514a
See the full A Confucian Confusion colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 59 frames of A Confucian Confusion (1994), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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