Mothra Vs Godzilla (1964)

Directed by Ishirō Honda · Cinematography by Hajime Koizumi

89 min65 frames

DramaActionScience Fiction

A massive Mach 3 moth! The heavy missile tank Godzilla! The sky, sea, and land quake in the fierce battle of the century!

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Stills, screencaps & shots from Mothra Vs Godzilla

16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Mothra Vs Godzilla (1964) — © TOHO

What is Mothra Vs Godzilla about?

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

Where can you watch Mothra Vs Godzilla?

US availability for Mothra Vs Godzilla (1964). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Mothra Vs Godzilla?

Who made Mothra Vs Godzilla?

What does the cinematography of Mothra Vs Godzilla look like?

Sampled across 65 frames, the coverage of Mothra Vs Godzilla leans on wide compositions (52% of the sample) and medium shots (32%). Cinematographer Hajime Koizumi keeps 78% of it in soft, naturalistic light. This is largely a daylight film — 85% of the frames play in daylight. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 72% of the frames. The production design places the film in the 1960s.

What is the color palette of Mothra Vs Godzilla?

The dominant colors across the sampled frames of Mothra Vs Godzilla (1964) are #53524e, #d6d4ce, #948974, #373533, #887a6d, #aeb0af — measured from the per-frame color data FrameThrower extracts for every film.

  • #53524e
  • #d6d4ce
  • #948974
  • #373533
  • #887a6d
  • #aeb0af

See the full Mothra Vs Godzilla colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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