Godzilla (1954) (1954)

Directed by Ishirō Honda · Cinematography by Masao Tamai

96 min65 frames

ThrillerHorrorScience Fiction

Godzilla, a weapon of science, a great battle of wonder and terror!

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Stills, screencaps & shots from Godzilla (1954)

16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Godzilla (1954) (1954) — © TOHO, Toho Laboratory

Godzilla (1954) — official trailer

What is Godzilla (1954) about?

Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

Where can you watch Godzilla (1954)?

US availability for Godzilla (1954) (1954). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Godzilla (1954)?

Who made Godzilla (1954)?

What does the cinematography of Godzilla (1954) look like?

Across 65 sampled frames, Godzilla (1954) builds its coverage from medium shots (37% of the sample), with wide compositions (31%) carrying much of the rest. Cinematographer Masao Tamai keeps 35% of it in hard-edged, low-key light. 45% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 62% of the frames. The production design places the film in the 1950s.

What is the color palette of Godzilla (1954)?

The dominant colors across the sampled frames of Godzilla (1954) (1954) are #070707, #494948, #2d2d2d, #898989, #6d6d6d, #cccccc — measured from the per-frame color data FrameThrower extracts for every film.

  • #070707
  • #494948
  • #2d2d2d
  • #898989
  • #6d6d6d
  • #cccccc

See the full Godzilla (1954) colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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