King Kong Vs. Godzilla (1962)
Directed by Ishirō Honda · Cinematography by Hajime Koizumi
97 min63 frames
Science FictionComedyAdventureFantasy
Will you win, Godzilla? Will you win, Kong? The battle of the century!
Stills, screencaps & shots from King Kong Vs. Godzilla
16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
King Kong Vs. Godzilla — official trailer
What is King Kong Vs. Godzilla about?
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
Who stars in King Kong Vs. Godzilla?
Who made King Kong Vs. Godzilla?
What does the cinematography of King Kong Vs. Godzilla look like?
Sampled across 63 frames, the coverage of King Kong Vs. Godzilla leans on wide compositions (48% of the sample) and medium shots (22%). Cinematographer Hajime Koizumi keeps 59% of it in soft, naturalistic light. Night and dusk account for 41% of the frames. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in 79% of the frames. The production design places the film in the 1960s.
What is the color palette of King Kong Vs. Godzilla?
The dominant colors across the sampled frames of King Kong Vs. Godzilla (1962) are #2e302e, #4e5048, #0e0f13, #1b262f, #364652, #2c231b — measured from the per-frame color data FrameThrower extracts for every film.
#2e302e#4e5048#0e0f13#1b262f#364652#2c231b
See the full King Kong Vs. Godzilla colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
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