Joint Security Area (2000)
Directed by Park Chan-wook · Cinematography by Kim Sung-bok
110 min59 frames
DramaThrillerAction
Eight shots! The truth is there.
Stills, screencaps & shots from Joint Security Area
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Joint Security Area — official trailer
What is Joint Security Area about?
Two North Korean soldiers are killed in the border area between North and South Korea, prompting an investigation by a neutral body. The sergeant is the shooter, but the lead investigator, a Swiss-Korean woman, receives differing accounts from the two sides.
Where can you watch Joint Security Area?
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US availability for Joint Security Area (2000). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Joint Security Area?
Who made Joint Security Area?
Park Chan-wookDirector- Kim Sung-bokCinematography
Shim Jae-myungProducer
Lee EunProducer
What does the cinematography of Joint Security Area look like?
Across 59 sampled frames, Joint Security Area builds its coverage from medium shots (46% of the sample), with wide compositions (34%) carrying much of the rest. Cinematographer Kim Sung-bok keeps 44% of it in soft, low-key light. 58% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings.
What is the color palette of Joint Security Area?
The dominant colors across the sampled frames of Joint Security Area (2000) are #302f2b, #4c4d4a, #121212, #4e4936, #323849, #8e918f — measured from the per-frame color data FrameThrower extracts for every film.
#302f2b#4c4d4a#121212#4e4936#323849#8e918f
See the full Joint Security Area colour palette — every hex with its share, plus warmth, saturation and luminance.
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FrameThrower is a fully machine-searchable film database and visual reference library — all 59 frames of Joint Security Area (2000), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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