I’m A Cyborg, But That’s Okay (2006)
Directed by Park Chan-wook · Cinematography by Chung Chung-hoon
107 min64 frames
DramaComedyRomance
She's crazy... He's crazy about her!
Stills, screencaps & shots from I’m A Cyborg, But That’s Okay
16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
I’m A Cyborg, But That’s Okay — official trailer
What is I’m A Cyborg, But That’s Okay about?
Young-goon, mentally deranged and frequently electro-charging herself with a transistor radio, has been admitted into a mental institution. Firmly believing herself to be a cyborg, she refuses to consume like a human being. Il-soon is another patient, who catches the eye of Young-goon and soon becomes a close friend. Il-soon is now confronted with the biggest task: to cure Young-goon's mental problem and have her eat real food.
Who stars in I’m A Cyborg, But That’s Okay?
Who made I’m A Cyborg, But That’s Okay?
What does the cinematography of I’m A Cyborg, But That’s Okay look like?
Across 64 sampled frames, I’m A Cyborg, But That’s Okay builds its coverage from close-ups (31% of the sample), with wide compositions (31%) carrying much of the rest. Cinematographer Chung Chung-hoon keeps 53% of it in soft, high-key light. Daylight carries most of the picture. Vintage glass shapes the frame.
What is the color palette of I’m A Cyborg, But That’s Okay?
The dominant colors across the sampled frames of I’m A Cyborg, But That’s Okay (2006) are #f6f7f6, #d0d2d1, #343130, #0f0f10, #a9adad, #4f4f4b — measured from the per-frame color data FrameThrower extracts for every film.
#f6f7f6#d0d2d1#343130#0f0f10#a9adad#4f4f4b
See the full I’m A Cyborg, But That’s Okay colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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