Decision To Leave (2022)
Directed by Park Chan-wook · Cinematography by Kim Ji-yong
139 min50 frames
ThrillerMysteryRomance
The closer you look, the harder you fall.
Stills, screencaps & shots from Decision To Leave
16 of 50 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Decision To Leave — official trailer
What is Decision To Leave about?
From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon arrives on the scene, he begins to suspect the dead man’s wife Seo-rae. But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.
Where can you watch Decision To Leave?
US availability for Decision To Leave (2022). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Decision To Leave?
Who made Decision To Leave?
What does the cinematography of Decision To Leave look like?
Sampled across 50 frames, the coverage of Decision To Leave leans on medium shots (44% of the sample) and wide compositions (26%). The camera returns again and again to low angles. Cinematographer Kim Ji-yong keeps 48% of it in soft, low-key light. Night and dusk account for 54% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 62% of the frames, isolating subjects from their surroundings.
What is the color palette of Decision To Leave?
The dominant colors across the sampled frames of Decision To Leave (2022) are #2a2f2f, #354c4f, #525551, #172c2e, #111516, #799192 — measured from the per-frame color data FrameThrower extracts for every film.
#2a2f2f#354c4f#525551#172c2e#111516#799192
See the full Decision To Leave colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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