Demonic (2015)
Directed by Will Canon · Cinematography by Michael Fimognari
R83 min157 frames
ThrillerHorror
Every House Has Its Secrets
Stills, screencaps & shots from Demonic
16 of 157 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Demonic — official trailer
What is Demonic about?
A police officer and a psychologist investigate the deaths of five people who were killed while trying to summon ghosts.
Demonic is a 2015 supernatural horror film directed by Will Canon and written by Max La Bella, Canon and Doug Simon from a story by La Bella. The film stars Frank Grillo, Dustin Milligan, Cody Horn and Maria Bello. It’s an international co-production film between the United States and Canada.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Demonic?
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US availability for Demonic (2015). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Demonic?
Who made Demonic?
What does the cinematography of Demonic look like?
Across 139 sampled frames, Demonic builds its coverage from medium shots (40% of the sample), with close-ups (25%) carrying much of the rest. Cinematographer Michael Fimognari keeps 52% of it in soft, low-key light. 58% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 77% of the frames, isolating subjects from their surroundings.
What is the color palette of Demonic?
The dominant colors across the sampled frames of Demonic (2015) are #2f2f2f, #0b0b0b, #f8f7f5, #50504e, #d3d1cd, #2e3c48 — measured from the per-frame color data FrameThrower extracts for every film.
#2f2f2f#0b0b0b#f8f7f5#50504e#d3d1cd#2e3c48
See the full Demonic colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 157 frames of Demonic (2015), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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