Chinatown (1974)

Directed by Roman Polanski · Cinematography by John A. Alonzo

R130 min62 frames

CrimeDramaMysteryThriller

You get tough. You get tender. You get close to each other. Maybe you even get close to the truth.

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Stills, screencaps & shots from Chinatown

16 of 62 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Chinatown (1974) — © Paramount Pictures, Long Road Productions

Chinatown — official trailer

What is Chinatown about?

Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.

Where can you watch Chinatown?

US availability for Chinatown (1974). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Chinatown?

Who made Chinatown?

What does the cinematography of Chinatown look like?

Sampled across 62 frames, the coverage of Chinatown leans heavily on medium shots (60% of the sample). Cinematographer John A. Alonzo keeps 48% of it in soft, low-key light. Night and dusk account for 45% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 74% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.

What is the color palette of Chinatown?

The dominant colors across the sampled frames of Chinatown (1974) are #35302a, #151310, #584e47, #514738, #8c7a6a, #d6c9b1 — measured from the per-frame color data FrameThrower extracts for every film.

  • #35302a
  • #151310
  • #584e47
  • #514738
  • #8c7a6a
  • #d6c9b1

See the full Chinatown colour palette — every hex with its share, plus warmth, saturation and luminance.

Chinatown ranks in

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Techniques in this film

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