Cemetery of Splendour (2015)
Directed by Apichatpong Weerasethakul · Cinematography by Diego García
122 min45 frames
DramaFantasy
Stills, screencaps & shots from Cemetery of Splendour
16 of 45 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Cemetery of Splendour — official trailer
What is Cemetery of Splendour about?
In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.
Where can you watch Cemetery of Splendour?
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US availability for Cemetery of Splendour (2015). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Cemetery of Splendour?
Who made Cemetery of Splendour?
What does the cinematography of Cemetery of Splendour look like?
Across 45 sampled frames, Cemetery of Splendour builds its coverage from wide compositions (67% of the sample), with medium shots (20%) carrying much of the rest. Cinematographer Diego García keeps 80% of it in soft, naturalistic light. Daylight carries most of the picture. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 73% of the frames.
What is the color palette of Cemetery of Splendour?
The dominant colors across the sampled frames of Cemetery of Splendour (2015) are #2f2f2e, #50514c, #8e928e, #b0b2ab, #d3cfcc, #8c8b7a — measured from the per-frame color data FrameThrower extracts for every film.
#2f2f2e#50514c#8e928e#b0b2ab#d3cfcc#8c8b7a
See the full Cemetery of Splendour colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 45 frames of Cemetery of Splendour (2015), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Apichatpong Weerasethakul
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