Irréversible (2002)
Directed by Gaspar Noé · Cinematography by Benoît Debie, Gaspar Noé
97 min55 frames
DramaThrillerCrime
Time destroys everything.
Stills, screencaps & shots from Irréversible
16 of 55 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Irréversible — official trailer
What is Irréversible about?
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
Who stars in Irréversible?
Who made Irréversible?
What does the cinematography of Irréversible look like?
Sampled across 55 frames, the coverage of Irréversible leans heavily on medium shots (71% of the sample). Cinematographer Benoît Debie keeps 75% of it in soft, low-key light. Night and dusk account for 80% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 84% of the frames, isolating subjects from their surroundings.
What is the color palette of Irréversible?
The dominant colors across the sampled frames of Irréversible (2002) are #090604, #2a1406, #35312a, #322712, #4e1105, #584e35 — measured from the per-frame color data FrameThrower extracts for every film.
#090604#2a1406#35312a#322712#4e1105#584e35
See the full Irréversible colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Gaspar Noé
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