Boonie Bears: To the Rescue (2014)

Directed by Fuyuan Liu, Ding Liang

95 min43 frames

AnimationFamilyAdventure

Putting the Bad Guys on Time-Out.

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Stills, screencaps & shots from Boonie Bears: To the Rescue

16 of 43 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Boonie Bears: To the Rescue (2014) — © the respective rights holders

Boonie Bears: To the Rescue — official trailer

What is Boonie Bears: To the Rescue about?

The lives of the bear bothers change dramatically when a little girl finds herself in the forest and they must fight bad guys to bring her to safety.

Where can you watch Boonie Bears: To the Rescue?

US availability for Boonie Bears: To the Rescue (2014). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Boonie Bears: To the Rescue?

Who made Boonie Bears: To the Rescue?

What does the cinematography of Boonie Bears: To the Rescue look like?

Across 43 sampled frames, Boonie Bears: To the Rescue builds its coverage from medium shots (60% of the sample), with close-ups (19%) carrying much of the rest. The lighting keeps 67% of it in soft, naturalistic light. Daylight carries most of the picture. Focus stays shallow in 65% of the frames, isolating subjects from their surroundings.

What is the color palette of Boonie Bears: To the Rescue?

The dominant colors across the sampled frames of Boonie Bears: To the Rescue (2014) are #343030, #fbfbfb, #4f4f4d, #cb9770, #cfcdc3, #313b4a — measured from the per-frame color data FrameThrower extracts for every film.

  • #343030
  • #fbfbfb
  • #4f4f4d
  • #cb9770
  • #cfcdc3
  • #313b4a

See the full Boonie Bears: To the Rescue colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 43 frames of Boonie Bears: To the Rescue (2014), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Fuyuan Liu, Ding Liang

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