Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) (1972) colour palette
Directed by Éric Rohmer · Shot by Néstor Almendros
- #34322fdark grey · 14.7%
- #54544edark grey · 9.3%
- #908c78mid grey · 5.7%
- #76746dmid grey · 5%
- #d5d6cflight grey · 4.7%
- #8c918cmid grey · 4.7%
Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) (1972), shot by Néstor Almendros, runs heavily desaturated and strongly warm, measured across 60 sampled frames. Its two dominant hue families are orange and yellow. The single most common colour is dark grey (#34322f), covering 14.7% of sampled colour. Overall the image sits mid-key.
Warmth
strongly warm
0.701 on −1 cool to +1 warm
Saturation
heavily desaturated
0.166 — more saturated than 12% of ranked films
Luminance
mid-key
0.445 — brighter than 73% of ranked films
Measured across 60 frames. See the frames on the Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) page →
Films that grade like this
Nearest by warmth, saturation and luminance across 1,568 ranked films — measured, not matched on genre.
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These measurements are published under CC BY 4.0 with attribution to FrameThrower. That covers the measurements only — the frames they were derived from are not ours to license, and rights remain with their owners.