Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) (1972)
Directed by Éric Rohmer · Cinematography by Néstor Almendros
R97 min57 frames
DramaRomance
Stills, screencaps & shots from Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi)
16 of 57 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) about?
Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.
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Who stars in Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi)?
Who made Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi)?
What does the cinematography of Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) look like?
Sampled across 57 frames, the coverage of Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) leans heavily on medium shots (75% of the sample). Cinematographer Néstor Almendros keeps 74% of it in soft, naturalistic light. This is largely a daylight film — 67% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 75% of the frames, isolating subjects from their surroundings. The production design places the film in the 1970s.
What is the color palette of Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi)?
The dominant colors across the sampled frames of Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) (1972) are #34322f, #54544e, #908c78, #76746c, #d6d6cf, #8c918c — measured from the per-frame color data FrameThrower extracts for every film.
#34322f#54544e#908c78#76746c#d6d6cf#8c918c
See the full Love In The Afternoon (Chloe In The Afternoon) (L’amour l’après-midi) colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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