Pauline At the Beach (Pauline à la plage) (1983)
Directed by Éric Rohmer · Cinematography by Néstor Almendros
R95 min58 frames
DramaRomanceComedy
Romance, wit, seduction and the foolishness of love
Stills, screencaps & shots from Pauline At the Beach (Pauline à la plage)
16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is Pauline At the Beach (Pauline à la plage) about?
Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...
Who stars in Pauline At the Beach (Pauline à la plage)?
Who made Pauline At the Beach (Pauline à la plage)?
What does the cinematography of Pauline At the Beach (Pauline à la plage) look like?
Sampled across 58 frames, the coverage of Pauline At the Beach (Pauline à la plage) leans on medium shots (71% of the sample) and full-body frames (17%). Cinematographer Néstor Almendros keeps 62% of it in soft, naturalistic light. This is largely a daylight film — 83% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 60% of the frames, isolating subjects from their surroundings. The production design places the film in the 1980s.
What is the color palette of Pauline At the Beach (Pauline à la plage)?
The dominant colors across the sampled frames of Pauline At the Beach (Pauline à la plage) (1983) are #f4f4f3, #d4c8ad, #35352f, #d6d3c6, #ebe7d7, #d1b090 — measured from the per-frame color data FrameThrower extracts for every film.
#f4f4f3#d4c8ad#35352f#d6d3c6#ebe7d7#d1b090
See the full Pauline At the Beach (Pauline à la plage) colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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