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Movie colour palettes

Colour palettes for 5,277 films, measured rather than picked. Every frame carries five extracted colours; pooled per film, they give the six dominant colours with the share of the image each one covers, plus warmth, saturation and luminance.

1,568 films are well-known enough to rank. 475 are monochrome and are ranked separately — hue says nothing about a black-and-white film.

The warmest films

Highest lean toward red and orange, weighted by saturation. Black-and-white films are excluded — they have no hue to lean.

The coolest films

Strongest lean toward blue and cyan across the sampled frames.

The most saturated films

Highest mean saturation. Animation dominates this list, which is what the measurement should show.

The most desaturated films

Lowest mean saturation among films that still carry colour — the bleached and muted grades, not the monochrome ones.

The darkest films

Lowest mean luminance across sampled frames.

The brightest films

Highest mean luminance across sampled frames.

Black and white

475 films measure below 0.05 mean saturation. Ranked by how widely seen they are, since hue cannot rank them.

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Common questions

How are these movie colour palettes calculated?
Every frame in the FrameThrower library carries five extracted colours. For each film those samples are pooled, binned in RGB and averaged, and the six most common bins become its palette — with the share of sampled colour each one covers. Warmth, saturation and luminance are means over the same samples. 5277 films qualify, each with at least 12 frames and 50 colour samples.
What does warmth mean here?
How far a palette leans toward the red and orange half of the colour wheel, from −1 (fully cool) to +1 (fully warm), weighted by saturation so that grey pixels do not vote. Black-and-white films are excluded from warmth entirely — a monochrome image has no hue to lean either way, and including them would rank Casablanca among the warmest films ever shot.
Can I use these hex values?
Yes. The measurements — hex values, shares, warmth, saturation and luminance — are published under CC BY 4.0 with attribution to FrameThrower. That licence covers the measurements only. The film frames they were derived from are not ours to license; rights remain with their owners.
Why are black-and-white films listed separately?
Because hue says nothing about them. 475 films in the catalogue measure below 0.05 mean saturation, which is monochrome in practice. Their look is built from tonal range instead, so they are ranked on luminance and left out of every hue-based list.

More: the stills database · all films · cinematography techniques · measured film lists