Wild Window: Bejeweled Fishes (2016)

Directed by Howard Hall · Cinematography by Howard Hall

55 min80 frames

Documentary

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Stills, screencaps & shots from Wild Window: Bejeweled Fishes

16 of 80 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Wild Window: Bejeweled Fishes (2016) — © Howard Hall Productions

What is Wild Window: Bejeweled Fishes about?

Bejeweled Fishes captures the spectacular beauty of the myriad fishes inhabiting coral reefs of the Tropical and Eastern Pacific. This Wild Window was captured in the Maldives Islands, Fiji, the Philippines, Mexico, California, and Indonesia.

Where can you watch Wild Window: Bejeweled Fishes?

US availability for Wild Window: Bejeweled Fishes (2016). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who made Wild Window: Bejeweled Fishes?

What does the cinematography of Wild Window: Bejeweled Fishes look like?

Across 80 sampled frames, Wild Window: Bejeweled Fishes builds its coverage from medium shots (45% of the sample), with close-ups (36%) carrying much of the rest. Cinematographer Howard Hall keeps 86% of it in naturalistic light. Daylight carries most of the picture. Focus stays shallow in 79% of the frames, isolating subjects from their surroundings.

What is the color palette of Wild Window: Bejeweled Fishes?

The dominant colors across the sampled frames of Wild Window: Bejeweled Fishes (2016) are #302f2e, #51504e, #0c0c0b, #fefefd, #8f8f8b, #2a394d — measured from the per-frame color data FrameThrower extracts for every film.

  • #302f2e
  • #51504e
  • #0c0c0b
  • #fefefd
  • #8f8f8b
  • #2a394d

See the full Wild Window: Bejeweled Fishes colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

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