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Innocence Unprotected (1968)

Directed by Dušan Makavejev · Cinematography by Branko Perak, Stevan Mišković

75 min52 frames

DramaDocumentary

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Stills, screencaps & shots from Innocence Unprotected

16 of 52 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Innocence Unprotected (1968) movie still: fullbody — Three older men in heavy coats stand on a slanted dark metal roof. They look down from the roof…Innocence Unprotected (1968) movie still: fullbody — An open grassy field with a small house and a boat on land. A middle-aged man sits at a…Innocence Unprotected (1968) movie still: wide — A simplified graphical animation displays a light cyan tank and an oil derrick. The objects are…Innocence Unprotected (1968) movie still: wide — A biplane flies over a wide river system under a clear sky. A person hangs suspended from the…Innocence Unprotected (1968) movie still: medium — A man and a woman sit in a room with plain walls. They are engaged in conversation while looking…Innocence Unprotected (1968) movie still: medium — A woman stands in the foreground holding a delicate white lace curtain. An out-of-focus man in a…Innocence Unprotected (1968) movie still: medium — A woman stands against a featureless solid-colored backdrop in a studio setting. She faces the…Innocence Unprotected (1968) movie still: fullbody — A flat stone terrace overlooks a distant landscape under a clear sky. A man on a low pedestal…Innocence Unprotected (1968) movie still: medium — A dimly lit room with framed wall art and decorative wall plates. A man and a woman stand close,…Innocence Unprotected (1968) movie still: medium — A man stands before a wall draped in communist red flags and a portrait. He gestures upward with…Innocence Unprotected (1968) movie still: medium — A rustic, dilapidated room with exposed stone walls and a small window. An elderly man is…Innocence Unprotected (1968) movie still: wide — An indoor performance space with a large central cannon and audience-filled tiered seating. A…Innocence Unprotected (1968) movie still: medium — An outdoor seating area with white-clothed tables sits on a paved patio under sunlight. A man…Innocence Unprotected (1968) movie still: closeup — A woman is framed within a cylindrical metallic structure equipped with integrated light bulbs.…Innocence Unprotected (1968) movie still: medium — A cemetery filled with stone monuments and crosses serves as the setting for lunch. Three people…Innocence Unprotected (1968) movie still: wide — A high, complex circus apparatus stands against a clear, expansive blue sky. Two acrobats perform a…
Innocence Unprotected (1968) — © Avala Film

What is Innocence Unprotected about?

A documentary about the famous athlete and movie enthusiast who made Serbia's first sound film, Innocence Unprotected. The Nazi occupation of Belgrade prevented the film from gaining wider acclaim. Director Makavejev intersperses clips of the original film with interviews of surviving cast and crew members, as well as newsreel and archival footage.

Where can you watch Innocence Unprotected?

US availability for Innocence Unprotected (1968). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Innocence Unprotected?

Who made Innocence Unprotected?

What does the cinematography of Innocence Unprotected look like?

Sampled across 52 frames, the coverage of Innocence Unprotected leans on medium shots (48% of the sample) and wide compositions (23%). Cinematographer Branko Perak keeps 52% of it in soft, naturalistic light. Vintage glass shapes the frame.

What is the color palette of Innocence Unprotected?

The dominant colors across the sampled frames of Innocence Unprotected (1968) are #2e3030, #ced0cf, #07090b, #f6f5f4, #90918f, #303b4f — measured from the per-frame color data FrameThrower extracts for every film.

  • #2e3030
  • #ced0cf
  • #07090b
  • #f6f5f4
  • #90918f
  • #303b4f

See the full Innocence Unprotected colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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