Carmen From Kawachi (1966)
Directed by Seijun Suzuki · Cinematography by Shigeyoshi Mine
89 min65 frames
RomanceDrama
Stills, screencaps & shots from Carmen From Kawachi
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Carmen From Kawachi — official trailer
What is Carmen From Kawachi about?
Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.
Who stars in Carmen From Kawachi?
Who made Carmen From Kawachi?
Seijun SuzukiDirector- Shigeyoshi MineCinematography
- Seijaku SakaueProducer
What does the cinematography of Carmen From Kawachi look like?
Sampled across 65 frames, the coverage of Carmen From Kawachi leans on wide compositions (28% of the sample) and medium shots (26%). The camera returns again and again to low angles. Cinematographer Shigeyoshi Mine keeps 38% of it in soft, low-key light. Night and dusk account for 46% of the frames. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in 68% of the frames. The production design places the film in the 1960s.
What is the color palette of Carmen From Kawachi?
The dominant colors across the sampled frames of Carmen From Kawachi (1966) are #040404, #8a8a8a, #494949, #2e2e2e, #fcfcfc, #cacaca — measured from the per-frame color data FrameThrower extracts for every film.
#040404#8a8a8a#494949#2e2e2e#fcfcfc#cacaca
See the full Carmen From Kawachi colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 65 frames of Carmen From Kawachi (1966), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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