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TwentyFourSeven (1997)

Directed by Shane Meadows · Cinematography by Ashley Rowe

R96 min61 frames

Drama

Everybody wants to be somebody.

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Stills, screencaps & shots from TwentyFourSeven

16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

TwentyFourSeven (1997) movie still: medium — Four people sit side by side on chairs against a curtained wall. They are positioned in a line and…TwentyFourSeven (1997) movie still: wide — A stone church nave features wooden pews and two tall stained-glass windows. A single man in a suit…TwentyFourSeven (1997) movie still: medium — Two men stand together in front of a textured red brick wall. The older man wearing a beanie speaks…TwentyFourSeven (1997) movie still: medium — A cluttered living room interior features three men gathered around a plastic crate table. They share a…TwentyFourSeven (1997) movie still: wide — A vast, flat grassy field with a large, bare-branched tree in the foreground. Rows of suburban…TwentyFourSeven (1997) movie still: wide — A basement level boxing training facility with low ceilings and exposed wooden beams. A group of men…TwentyFourSeven (1997) movie still: medium — A cluttered small convenience store interior with shelves packed with various consumer products. A…TwentyFourSeven (1997) movie still: wide — A group of young men congregate in a vast, desolate field under an overcast sky. They stand and sit…TwentyFourSeven (1997) movie still: medium — A cramped, dimly lit room with textured wallpaper features a single bed near a window. A young man sits…TwentyFourSeven (1997) movie still: establishing — An expanse of suburban residential rooftops stretches toward a distant industrial brick chimney.…TwentyFourSeven (1997) movie still: wide — A vast, empty sports field under a gray, overcast sky with distant trees. Five young men stand at various…TwentyFourSeven (1997) movie still: closeup — A dark, smooth, and highly reflective surface shows clear residue of a handprint. The background is…TwentyFourSeven (1997) movie still: closeup — A dimly lit room with a single window casting light on the subject. A middle-aged man in a suit looks…TwentyFourSeven (1997) movie still: medium — A dimly lit room contains a person seated beside an old television set. The person holds a plate of…TwentyFourSeven (1997) movie still: fullbody — A bare grass sports field with a weathered metal goalpost in the foreground. A man stands still in…TwentyFourSeven (1997) movie still: wide — A desolate, overgrown set of railway tracks runs toward a distant stone arch bridge. Sparse,…
TwentyFourSeven (1997) — © Scala Films

TwentyFourSeven — official trailer

What is TwentyFourSeven about?

In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience, starts trying to get the young people off the street and into doing something they can believe in: Boxing. Darcy opens a boxing club, aiming to bring the rival gangs together.

Who stars in TwentyFourSeven?

Who made TwentyFourSeven?

What does the cinematography of TwentyFourSeven look like?

Sampled across 61 frames, the coverage of TwentyFourSeven leans on medium shots (48% of the sample) and wide compositions (36%). Cinematographer Ashley Rowe keeps 59% of it in soft, naturalistic light. This is largely a daylight film — 70% of the frames play in daylight. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 56% of the frames.

What is the color palette of TwentyFourSeven?

The dominant colors across the sampled frames of TwentyFourSeven (1997) are #030303, #8b8b8b, #303030, #cbcbcb, #fafafa, #6c6c6c — measured from the per-frame color data FrameThrower extracts for every film.

  • #030303
  • #8b8b8b
  • #303030
  • #cbcbcb
  • #fafafa
  • #6c6c6c

See the full TwentyFourSeven colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

More films by Shane Meadows

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