Belly (1998)
Directed by Hype Williams · Cinematography by Malik Hassan Sayeed
R96 min61 frames
CrimeDrama
Money, power, respect... but who's got your back?
Stills, screencaps & shots from Belly
16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Belly — official trailer
What is Belly about?
Tommy Bundy and Sincere are best friends as well as infamous and ruthless criminals and shot-callers in the hood. Respected by many but feared by all. As the police are closing in on them and new players are looking for a come up, will their reign last?
Belly is a 1998 American crime drama film written and directed by music video director Hype Williams, in his feature film directing debut. Filmed in New York City, the film stars rappers Nas and DMX in their film debut, alongside Taral Hicks, Method Man, T-Boz and an uncredited cameo from Sean Paul and Mr. Vegas.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Belly?
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US availability for Belly (1998). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Belly?
Who made Belly?
What does the cinematography of Belly look like?
Across 61 sampled frames, Belly builds its coverage from wide compositions (44% of the sample), with close-ups (21%) carrying much of the rest. Cinematographer Malik Hassan Sayeed keeps 74% of it in soft, low-key light. 75% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in 61% of the frames.
What is the color palette of Belly?
The dominant colors across the sampled frames of Belly (1998) are #080909, #fefefd, #2d2d2a, #020b32, #0104fe, #ff0000 — measured from the per-frame color data FrameThrower extracts for every film.
#080909#fefefd#2d2d2a#020b32#0104fe#ff0000
See the full Belly colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
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