The Equalizer (2014)
Directed by Antoine Fuqua · Cinematography by Mauro Fiore
R132 min168 frames
ThrillerActionCrime
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Stills, screencaps & shots from The Equalizer
16 of 168 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Equalizer — official trailer
What is The Equalizer about?
McCall believes he has put his mysterious past behind him and dedicated himself to beginning a new, quiet life. But when he meets Teri, a young girl under the control of ultra-violent Russian gangsters, he can’t stand idly by – he has to help her. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer.
Where can you watch The Equalizer?
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US availability for The Equalizer (2014). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Equalizer?
Who made The Equalizer?
What does the cinematography of The Equalizer look like?
Across 163 sampled frames, The Equalizer builds its coverage from medium shots (46% of the sample), with close-ups (31%) carrying much of the rest. Cinematographer Mauro Fiore keeps 60% of it in soft, low-key light. 58% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 79% of the frames, isolating subjects from their surroundings.
What is the color palette of The Equalizer?
The dominant colors across the sampled frames of The Equalizer (2014) are #2e2d2b, #0f0f0e, #4f4e4c, #f9f9f8, #d3d1cc, #8e8f8d — measured from the per-frame color data FrameThrower extracts for every film.
#2e2d2b#0f0f0e#4f4e4c#f9f9f8#d3d1cc#8e8f8d
See the full The Equalizer colour palette — every hex with its share, plus warmth, saturation and luminance.
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