Things to Come (2016)

Directed by Mia Hansen-Løve · Cinematography by Denis Lenoir

PG-13102 min42 frames

Drama

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Stills, screencaps & shots from Things to Come

16 of 42 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Things to Come (2016) — © ARTE France Cinéma, Detailfilm

Things to Come — official trailer

What is Things to Come about?

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

Where can you watch Things to Come?

US availability for Things to Come (2016). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Things to Come?

Who made Things to Come?

What does the cinematography of Things to Come look like?

Across 41 sampled frames, Things to Come builds its coverage from medium shots (56% of the sample), with wide compositions (32%) carrying much of the rest. Cinematographer Denis Lenoir keeps 66% of it in soft, naturalistic light. Daylight carries most of the picture. Vintage glass shapes the frame.

What is the color palette of Things to Come?

The dominant colors across the sampled frames of Things to Come (2016) are #30322e, #4f544f, #d5d4cd, #8f968e, #131412, #948f73 — measured from the per-frame color data FrameThrower extracts for every film.

  • #30322e
  • #4f544f
  • #d5d4cd
  • #8f968e
  • #131412
  • #948f73

See the full Things to Come colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 42 frames of Things to Come (2016), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Mia Hansen-Løve

More Drama films

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