One Fine Morning (2022)
Directed by Mia Hansen-Løve · Cinematography by Denis Lenoir
R112 min62 frames
RomanceDrama
Stills, screencaps & shots from One Fine Morning
16 of 62 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















One Fine Morning — official trailer
What is One Fine Morning about?
With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.
Where can you watch One Fine Morning?
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US availability for One Fine Morning (2022). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in One Fine Morning?
Who made One Fine Morning?
What does the cinematography of One Fine Morning look like?
Sampled across 62 frames, the coverage of One Fine Morning leans on medium shots (63% of the sample) and wide compositions (18%). Cinematographer Denis Lenoir keeps 69% of it in soft, naturalistic light. This is largely a daylight film — 74% of the frames play in daylight. Anamorphic glass shapes the frame. Focus stays shallow in 71% of the frames, isolating subjects from their surroundings.
What is the color palette of One Fine Morning?
The dominant colors across the sampled frames of One Fine Morning (2022) are #313231, #4f514d, #d6d2c9, #54686d, #4f473b, #92948e — measured from the per-frame color data FrameThrower extracts for every film.
#313231#4f514d#d6d2c9#54686d#4f473b#92948e
See the full One Fine Morning colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 62 frames of One Fine Morning (2022), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Mia Hansen-Løve
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