On The Town (1949)

Directed by Gene Kelly, Stanley Donen · Cinematography by Harold Rosson

Approved98 min44 frames

MusicComedyRomance

They Paint The Town With Joy!

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Stills, screencaps & shots from On The Town

16 of 44 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

On The Town (1949) — © Metro-Goldwyn-Mayer

On The Town — official trailer

What is On The Town about?

Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.

Where can you watch On The Town?

US availability for On The Town (1949). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in On The Town?

Who made On The Town?

What does the cinematography of On The Town look like?

Across 44 sampled frames, On The Town builds its coverage from medium shots (39% of the sample), with full-body frames (34%) carrying much of the rest. Cinematographer Harold Rosson keeps 52% of it in soft, high-key light. 43% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 75% of the frames. The production design places the film in the 1940s.

What is the color palette of On The Town?

The dominant colors across the sampled frames of On The Town (1949) are #312e30, #faf9f7, #0c0c0e, #d6d4cf, #4e5052, #8c766e — measured from the per-frame color data FrameThrower extracts for every film.

  • #312e30
  • #faf9f7
  • #0c0c0e
  • #d6d4cf
  • #4e5052
  • #8c766e

See the full On The Town colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 44 frames of On The Town (1949), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Gene Kelly, Stanley Donen

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