The Magic Flute (1975)
Directed by Ingmar Bergman · Cinematography by Sven Nykvist
G135 min65 frames
MusicRomanceFantasy
We only see Bergman, we only hear Mozart
Stills, screencaps & shots from The Magic Flute
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Magic Flute — official trailer
What is The Magic Flute about?
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
Where can you watch The Magic Flute?
US availability for The Magic Flute (1975). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Magic Flute?
Who made The Magic Flute?
What does the cinematography of The Magic Flute look like?
Sampled across 65 frames, the coverage of The Magic Flute leans on medium shots (40% of the sample) and close-ups (23%). Cinematographer Sven Nykvist keeps 48% of it in soft, low-key light. Night and dusk account for 40% of the frames. Vintage glass shapes the frame. Focus stays shallow in 60% of the frames, isolating subjects from their surroundings.
What is the color palette of The Magic Flute?
The dominant colors across the sampled frames of The Magic Flute (1975) are #342d2b, #544f49, #4d362c, #291810, #0f0c0b, #d1b6a5 — measured from the per-frame color data FrameThrower extracts for every film.
#342d2b#544f49#4d362c#291810#0f0c0b#d1b6a5
See the full The Magic Flute colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 65 frames of The Magic Flute (1975), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Ingmar Bergman
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