The Searchers
Directed by John Ford · Cinematography by Winton C. Hoch
Approved119 min65 frames
Western
He had to find her... he had to find her...
Stills, screencaps & shots from The Searchers
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Searchers — official trailer
What is The Searchers about?
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
The Searchers is a 1956 American epic Western film directed by John Ford and written by Frank S. Nugent, based on the 1954 novel by Alan Le May. It is set during the Texas–Indian wars and stars John Wayne as a middle-aged veteran of the Confederate Army who, accompanied by his adopted, partially Native American nephew, spends years looking for his abducted niece. It was shot in VistaVision on Eastmancolor negative with processing and prints by Technicolor.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch The Searchers?
US availability for The Searchers. Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in The Searchers?
Who made The Searchers?
What does the cinematography of The Searchers look like?
Across 65 sampled frames, The Searchers builds its coverage from medium shots (43% of the sample), with wide compositions (40%) carrying much of the rest. Cinematographer Winton C. Hoch keeps 54% of it in soft, naturalistic light. Daylight carries most of the picture. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in 63% of the frames.
What is the color palette of The Searchers?
The dominant colors across the sampled frames of The Searchers are #322c2a, #4a372e, #8c6b52, #cfb495, #8a5839, #595049 — measured from the per-frame color data FrameThrower extracts for every film.
#322c2a#4a372e#8c6b52#cfb495#8a5839#595049
See the full The Searchers colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by John Ford
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