My Darling Clementine (1946)
Directed by John Ford · Cinematography by Joseph MacDonald
Approved97 min65 frames
WesternDramaRomance
She was everything the West was - young, fiery, exciting!
Stills, screencaps & shots from My Darling Clementine
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
My Darling Clementine — official trailer
What is My Darling Clementine about?
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
Where can you watch My Darling Clementine?
US availability for My Darling Clementine (1946). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in My Darling Clementine?
Who made My Darling Clementine?
What does the cinematography of My Darling Clementine look like?
Across 65 sampled frames, My Darling Clementine builds its coverage from medium shots (45% of the sample), with wide compositions (28%) carrying much of the rest. Cinematographer Joseph MacDonald keeps 38% of it in hard-edged, naturalistic light. 48% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. The production design places the film in the 1940s.
What is the color palette of My Darling Clementine?
The dominant colors across the sampled frames of My Darling Clementine (1946) are #030303, #2e2e2e, #8e8e8e, #cdcdcd, #6b6b6b, #4a4a4a — measured from the per-frame color data FrameThrower extracts for every film.
#030303#2e2e2e#8e8e8e#cdcdcd#6b6b6b#4a4a4a
See the full My Darling Clementine colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 65 frames of My Darling Clementine (1946), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by John Ford
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