The Pit and The Pendulum (1991)
Directed by Stuart Gordon · Cinematography by Adolfo Bartoli
R97 min53 frames
HorrorRomance
A bizarre descent into hell from the creator of Re-Animator.
Stills, screencaps & shots from The Pit and The Pendulum
16 of 53 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Pit and The Pendulum — official trailer
What is The Pit and The Pendulum about?
Set during the height of Spanish Inquisition. The beautiful and kind-hearted Maria is arrested as a witch when she inadvertently cries out in horror at the public whipping of a child. As Maria’s husband Antonio tries to save her, Torquemada, the Grand Inquisitor, determines to punish Maria with torture for the desire she inflames in him. Loosely based on Edgar Allen Poe's classic short story.
Where can you watch The Pit and The Pendulum?
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US availability for The Pit and The Pendulum (1991). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Pit and The Pendulum?
Lance Henriksenas Torquemada
Stephen Leeas Gomez- William Norrisas Dr. Huesos
Who made The Pit and The Pendulum?
What does the cinematography of The Pit and The Pendulum look like?
Sampled across 52 frames, the coverage of The Pit and The Pendulum leans on close-ups (38% of the sample) and medium shots (37%). Cinematographer Adolfo Bartoli keeps 73% of it in soft, low-key light. Night and dusk account for 73% of the frames. Vintage glass shapes the frame. Focus stays shallow in 77% of the frames, isolating subjects from their surroundings.
What is the color palette of The Pit and The Pendulum?
The dominant colors across the sampled frames of The Pit and The Pendulum (1991) are #131110, #322e2a, #463428, #564939, #8c724e, #2d231a — measured from the per-frame color data FrameThrower extracts for every film.
#131110#322e2a#463428#564939#8c724e#2d231a
See the full The Pit and The Pendulum colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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