Candyman: Farewell to the Flesh (1995)

Directed by Bill Condon · Cinematography by Tobias A. Schliessler

R95 min51 frames

HorrorThriller

Evil comes when you call his name.

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Stills, screencaps & shots from Candyman: Farewell to the Flesh

16 of 51 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Candyman: Farewell to the Flesh (1995) — © Propaganda Films, PolyGram Filmed Entertainment

Candyman: Farewell to the Flesh — official trailer

What is Candyman: Farewell to the Flesh about?

Annie, a young schoolteacher struggling to solve the brutal murder of her father, unwittingly summons the "Candyman" to New Orleans, where she learns the secret of his power, and discovers the link that connects them.

Where can you watch Candyman: Farewell to the Flesh?

US availability for Candyman: Farewell to the Flesh (1995). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.

Who stars in Candyman: Farewell to the Flesh?

Who made Candyman: Farewell to the Flesh?

What does the cinematography of Candyman: Farewell to the Flesh look like?

Across 51 sampled frames, Candyman: Farewell to the Flesh builds its coverage from medium shots (41% of the sample), with close-ups (33%) carrying much of the rest. Cinematographer Tobias A. Schliessler keeps 61% of it in soft, low-key light. 61% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 71% of the frames, isolating subjects from their surroundings.

What is the color palette of Candyman: Farewell to the Flesh?

The dominant colors across the sampled frames of Candyman: Farewell to the Flesh (1995) are #322d2b, #12100f, #55514a, #241814, #2b241b, #44352b — measured from the per-frame color data FrameThrower extracts for every film.

  • #322d2b
  • #12100f
  • #55514a
  • #241814
  • #2b241b
  • #44352b

See the full Candyman: Farewell to the Flesh colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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