Dagon (2001)
Directed by Stuart Gordon · Cinematography by Carlos Suárez
R98 min38 frames
FantasyHorrorThriller
A cursed people... an ancient cult... a nightmare come true.
Stills, screencaps & shots from Dagon
16 of 38 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Dagon — official trailer
What is Dagon about?
A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca's secret..they worship Dagon, a monstrous god of the sea...and Dagon's unholy offspring are on the loose...
Where can you watch Dagon?
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US availability for Dagon (2001). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Dagon?
Who made Dagon?
What does the cinematography of Dagon look like?
Sampled across 38 frames, the coverage of Dagon leans on close-ups and medium shots. Cinematographer Carlos Suárez keeps most of it in soft, low-key light. Night and dusk account for most of the frames. Vintage glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of Dagon?
The dominant colors across the sampled frames of Dagon (2001) are #2f2e2f, #0e0d0d, #483a2f, #2f4f75, #24180f, #484d53 — measured from the per-frame color data FrameThrower extracts for every film.
#2f2e2f#0e0d0d#483a2f#2f4f75#24180f#484d53
See the full Dagon colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 38 frames of Dagon (2001), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Stuart Gordon
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