The Last Samurai (2003)
Directed by Edward Zwick · Cinematography by John Toll
R154 min162 frames
DramaActionWar
In the face of an enemy, in the heart of one man, lies the soul of a warrior.
Stills, screencaps & shots from The Last Samurai
16 of 162 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Last Samurai — official trailer
What is The Last Samurai about?
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Where can you watch The Last Samurai?
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US availability for The Last Samurai (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Last Samurai?
Who made The Last Samurai?
What does the cinematography of The Last Samurai look like?
Sampled across 162 frames, the coverage of The Last Samurai leans on medium shots (52% of the sample) and close-ups (19%). Cinematographer John Toll keeps 62% of it in soft, naturalistic light. Anamorphic glass shapes the frame. Focus stays shallow in 74% of the frames, isolating subjects from their surroundings.
What is the color palette of The Last Samurai?
The dominant colors across the sampled frames of The Last Samurai (2003) are #312d2b, #151311, #545149, #4f4a38, #48392f, #8f8c74 — measured from the per-frame color data FrameThrower extracts for every film.
#312d2b#151311#545149#4f4a38#48392f#8f8c74
See the full The Last Samurai colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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