Drunken Angel (1948)

Directed by Akira Kurosawa · Cinematography by Takeo Itō

102 min59 frames

Drama

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Stills, screencaps & shots from Drunken Angel

16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Drunken Angel (1948) — © TOHO

Drunken Angel — official trailer

What is Drunken Angel about?

In postwar Tokyo, a blunt, alcohol-soaked doctor diagnoses a swaggering young yakuza with tuberculosis, forging an uneasy bond that’s tested when the gangster’s ruthless former boss returns and drags him back toward the swampy underworld he can’t escape.

Where can you watch Drunken Angel?

US availability for Drunken Angel (1948). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Drunken Angel?

Who made Drunken Angel?

What does the cinematography of Drunken Angel look like?

Across 58 sampled frames, Drunken Angel builds its coverage from medium shots (55% of the sample), with close-ups (16%) carrying much of the rest. Cinematographer Takeo Itō keeps 52% of it in soft, low-key light. 57% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. The production design places the film in the 1940s.

What is the color palette of Drunken Angel?

The dominant colors across the sampled frames of Drunken Angel (1948) are #8a8a8a, #050505, #4a4a4a, #2d2d2d, #cbcbcb, #6e6e6e — measured from the per-frame color data FrameThrower extracts for every film.

  • #8a8a8a
  • #050505
  • #4a4a4a
  • #2d2d2d
  • #cbcbcb
  • #6e6e6e

See the full Drunken Angel colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 59 frames of Drunken Angel (1948), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Akira Kurosawa

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