High and Low (1963)
Directed by Akira Kurosawa · Cinematography by Takao Saitō, Asakazu Nakai
143 min46 frames
DramaCrime
Stark, intense drama almost beyond belief!
Stills, screencaps & shots from High and Low
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High and Low — official trailer
What is High and Low about?
A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.
High and Low is a 1963 Japanese police procedural film directed by Akira Kurosawa. It was written by Kurosawa, Hideo Oguni, Eijirō Hisaita, and Ryūzō Kikushima as a loose adaptation of the 1959 novel King's Ransom by Evan Hunter. Starring Toshirō Mifune, Tatsuya Nakadai, Kyōko Kagawa and Tatsuya Mihashi, it tells the story of Japanese businessman Kingo Gondō (Mifune) struggling for control of the major shoe company of which he is a board member. He plans a leveraged buyout of the company with his life savings, when a kidnapper mistakenly abducts his chauffeur's son to ransom him for ¥30 million. The film is viewed as influential on police procedural cinema, and has been remade multiple times internationally.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch High and Low?
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Who stars in High and Low?
Who made High and Low?
What does the cinematography of High and Low look like?
Sampled across 46 frames, the coverage of High and Low leans on medium shots (50% of the sample) and wide compositions (33%). Cinematographer Takao Saitō keeps 39% of it in soft, high-key light. Deep focus keeps foreground and background readable at once in 80% of the frames. The production design places the film in the 1960s.
What is the color palette of High and Low?
The dominant colors across the sampled frames of High and Low (1963) are #030303, #fcfcfc, #4a4a4a, #878787, #cbcbcb, #aeaeae — measured from the per-frame color data FrameThrower extracts for every film.
#030303#fcfcfc#4a4a4a#878787#cbcbcb#aeaeae
See the full High and Low colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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