The Gleaners & I (2000)
Directed by Agnès Varda · Cinematography by Agnès Varda, Didier Doussin, Pascal Sautelet, Stéphane Krausz, Didier Rouget
82 min39 frames
Documentary
Stills, screencaps & shots from The Gleaners & I
16 of 39 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Gleaners & I — official trailer
What is The Gleaners & I about?
Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
Where can you watch The Gleaners & I?
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US availability for The Gleaners & I (2000). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Gleaners & I?
Who made The Gleaners & I?
Agnès VardaDirector- Didier DoussinCinematography
- Stéphane KrauszCinematography
What does the cinematography of The Gleaners & I look like?
Across 39 sampled frames, The Gleaners & I builds its coverage from close-ups, with wide compositions carrying much of the rest. Cinematographer Agnès Varda keeps almost all of it in naturalistic light. Daylight carries most of the picture. Deep focus keeps foreground and background readable at once in most of the frames.
What is the color palette of The Gleaners & I?
The dominant colors across the sampled frames of The Gleaners & I (2000) are #d0c7ae, #524f47, #302e2b, #d3d2cb, #93958c, #8c8b75 — measured from the per-frame color data FrameThrower extracts for every film.
#d0c7ae#524f47#302e2b#d3d2cb#93958c#8c8b75
See the full The Gleaners & I colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 39 frames of The Gleaners & I (2000), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Agnès Varda
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