La Pointe Courte (1955)

Directed by Agnès Varda · Cinematography by Louis Soulanes, Louis Stein, Paul Soulignac

80 min64 frames

DramaRomance

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Stills, screencaps & shots from La Pointe Courte

16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

La Pointe Courte (1955) — © Ciné-Tamaris

La Pointe Courte — official trailer

What is La Pointe Courte about?

A penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. Both a stylized depiction of the complicated relationship between a married couple and a documentary-like look at the daily struggles of the inhabitants of Sète in the South of France.

Where can you watch La Pointe Courte?

US availability for La Pointe Courte (1955). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in La Pointe Courte?

Who made La Pointe Courte?

What does the cinematography of La Pointe Courte look like?

Sampled across 64 frames, the coverage of La Pointe Courte leans on medium shots (42% of the sample) and wide compositions (28%). Cinematographer Louis Soulanes keeps 56% of it in naturalistic light. This is largely a daylight film — 73% of the frames play in daylight. Deep focus keeps foreground and background readable at once in 69% of the frames.

What is the color palette of La Pointe Courte?

The dominant colors across the sampled frames of La Pointe Courte (1955) are #040404, #8f8f8f, #303030, #cbcbcb, #6c6c6c, #4a4a4a — measured from the per-frame color data FrameThrower extracts for every film.

  • #040404
  • #8f8f8f
  • #303030
  • #cbcbcb
  • #6c6c6c
  • #4a4a4a

See the full La Pointe Courte colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 64 frames of La Pointe Courte (1955), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Agnès Varda

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