The Aviator (2004)

Directed by Martin Scorsese · Cinematography by Robert Richardson

PG-13170 min69 frames

Drama

Some men dream the future. He built it.

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Stills, screencaps & shots from The Aviator

16 of 69 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Aviator (2004) — © Warner Bros. Pictures, Miramax

The Aviator — official trailer

What is The Aviator about?

A biopic depicting the life of filmmaker and aviation pioneer Howard Hughes from 1927 to 1947, during which time he became a successful film producer and an aviation magnate, while simultaneously growing more unstable due to severe obsessive-compulsive disorder.

Where can you watch The Aviator?

US availability for The Aviator (2004). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in The Aviator?

Who made The Aviator?

What does the cinematography of The Aviator look like?

Sampled across 68 frames, the coverage of The Aviator leans on medium shots (44% of the sample) and close-ups (32%). Cinematographer Robert Richardson keeps 56% of it in soft, low-key light. Night and dusk account for 63% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 68% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.

What is the color palette of The Aviator?

The dominant colors across the sampled frames of The Aviator (2004) are #120e0d, #2d2927, #493629, #2c180f, #fcfaf9, #937c69 — measured from the per-frame color data FrameThrower extracts for every film.

  • #120e0d
  • #2d2927
  • #493629
  • #2c180f
  • #fcfaf9
  • #937c69

See the full The Aviator colour palette — every hex with its share, plus warmth, saturation and luminance.

The Aviator ranks in

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 69 frames of The Aviator (2004), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Martin Scorsese

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