Alice Doesn’t Live Here Anymore (1974)
Directed by Martin Scorsese · Cinematography by Kent L. Wakeford
PG112 min59 frames
RomanceDrama
A movie for everyone who has ever dreamed of a second chance.
Stills, screencaps & shots from Alice Doesn’t Live Here Anymore
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Alice Doesn’t Live Here Anymore — official trailer
What is Alice Doesn’t Live Here Anymore about?
After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.
Where can you watch Alice Doesn’t Live Here Anymore?
US availability for Alice Doesn’t Live Here Anymore (1974). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Alice Doesn’t Live Here Anymore?
Who made Alice Doesn’t Live Here Anymore?
What does the cinematography of Alice Doesn’t Live Here Anymore look like?
Across 59 sampled frames, Alice Doesn’t Live Here Anymore builds its coverage from medium shots (56% of the sample), with wide compositions (15%) carrying much of the rest. Cinematographer Kent L. Wakeford keeps 51% of it in soft, naturalistic light. 42% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 56% of the frames, isolating subjects from their surroundings. The production design places the film in the 1970s.
What is the color palette of Alice Doesn’t Live Here Anymore?
The dominant colors across the sampled frames of Alice Doesn’t Live Here Anymore (1974) are #35312d, #ebeae9, #988a74, #d3d0cc, #4c4c36, #100f10 — measured from the per-frame color data FrameThrower extracts for every film.
#35312d#ebeae9#988a74#d3d0cc#4c4c36#100f10
See the full Alice Doesn’t Live Here Anymore colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Martin Scorsese
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