After Hours (1985)
Directed by Martin Scorsese · Cinematography by Michael Ballhaus
R97 min63 frames
ComedyThrillerDrama
When it's after midnight in New York City, you don't have to look for love, laughter and trouble. They'll all find you!
Stills, screencaps & shots from After Hours
16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















After Hours — official trailer
What is After Hours about?
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
Where can you watch After Hours?
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US availability for After Hours (1985). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in After Hours?
Who made After Hours?
What does the cinematography of After Hours look like?
Across 63 sampled frames, After Hours builds its coverage from medium shots (52% of the sample), with wide compositions (21%) carrying much of the rest. Cinematographer Michael Ballhaus keeps 84% of it in soft, low-key light. 89% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 70% of the frames, isolating subjects from their surroundings.
What is the color palette of After Hours?
The dominant colors across the sampled frames of After Hours (1985) are #2e2d2c, #101011, #53514b, #d4d3cf, #2c374a, #261716 — measured from the per-frame color data FrameThrower extracts for every film.
#2e2d2c#101011#53514b#d4d3cf#2c374a#261716
See the full After Hours colour palette — every hex with its share, plus warmth, saturation and luminance.
After Hours ranks in
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Techniques in this film
More films by Martin Scorsese
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