Songs from the Second Floor (2000)
Directed by Roy Andersson · Cinematography by Jesper Klevenås, István Borbás
98 min33 frames
DramaComedy
Stills, screencaps & shots from Songs from the Second Floor
16 of 33 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Songs from the Second Floor — official trailer
What is Songs from the Second Floor about?
A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.
Where can you watch Songs from the Second Floor?
US availability for Songs from the Second Floor (2000). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Songs from the Second Floor?
Who made Songs from the Second Floor?
What does the cinematography of Songs from the Second Floor look like?
Across 33 sampled frames, Songs from the Second Floor builds its coverage from wide compositions, with medium shots carrying much of the rest. Cinematographer Jesper Klevenås keeps much of it in soft, naturalistic light. Much of the film play at night or in the failing light of dusk. Deep focus keeps foreground and background readable at once in most of the frames.
What is the color palette of Songs from the Second Floor?
The dominant colors across the sampled frames of Songs from the Second Floor (2000) are #333330, #4f514e, #d1d1cc, #92958c, #aeafaa, #787870 — measured from the per-frame color data FrameThrower extracts for every film.
#333330#4f514e#d1d1cc#92958c#aeafaa#787870
See the full Songs from the Second Floor colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 33 frames of Songs from the Second Floor (2000), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Roy Andersson
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