Salò, or the 120 Days of Sodom (1975)

Directed by Gideon Bachmann · Cinematography by Tonino Delli Colli

53 frames

Documentary

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Stills, screencaps & shots from Salò, or the 120 Days of Sodom

16 of 53 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Salò, or the 120 Days of Sodom (1975) movie still: medium — An open plowed field sits under an overcast sky near a small rustic village. A man in a… — Salò, or the 120 Days of Sodom (1975) — © Cinemazero

Salò, or the 120 Days of Sodom (1975) movie still: wide — A dark, dilapidated interior room features floral wallpaper and stacks of wooden boards. A… — Salò, or the 120 Days of Sodom (1975) — © Cinemazero

What is Salò, or the 120 Days of Sodom about?

A journey behind the shooting on the set of Salò, a backstage by Gideon Bachman, recorded during the realization of the torture scenes, enriched by long interviews with actors.

Who stars in Salò, or the 120 Days of Sodom?

Who made Salò, or the 120 Days of Sodom?

Gideon BachmannDirector

What does the cinematography of Salò, or the 120 Days of Sodom look like?

Sampled across 53 frames, the coverage of Salò, or the 120 Days of Sodom leans on wide compositions (36% of the sample) and medium shots (17%). Cinematographer Tonino Delli Colli keeps 53% of it in soft, naturalistic light. Deep focus keeps foreground and background readable at once in 66% of the frames.

What is the color palette of Salò, or the 120 Days of Sodom?

The dominant colors across the sampled frames of Salò, or the 120 Days of Sodom (1975) are #342f2c, #53514b, #8d918a, #d0cfc9, #a8978d, #121110 — measured from the per-frame color data FrameThrower extracts for every film.

#342f2c
#53514b
#8d918a
#d0cfc9
#a8978d
#121110

See the full Salò, or the 120 Days of Sodom colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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