Salò, or the 120 Days of Sodom (1975)
Directed by Gideon Bachmann · Cinematography by Tonino Delli Colli
53 frames
Documentary
Stills, screencaps & shots from Salò, or the 120 Days of Sodom
16 of 53 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Salò, or the 120 Days of Sodom about?
A journey behind the shooting on the set of Salò, a backstage by Gideon Bachman, recorded during the realization of the torture scenes, enriched by long interviews with actors.
Who stars in Salò, or the 120 Days of Sodom?
Pier Paolo Pasolinias Self- Tatiana Mogilanskyas Self
Uberto Paolo Quintavalleas Self
Who made Salò, or the 120 Days of Sodom?
What does the cinematography of Salò, or the 120 Days of Sodom look like?
Sampled across 53 frames, the coverage of Salò, or the 120 Days of Sodom leans on wide compositions (36% of the sample) and medium shots (17%). Cinematographer Tonino Delli Colli keeps 53% of it in soft, naturalistic light. Deep focus keeps foreground and background readable at once in 66% of the frames.
What is the color palette of Salò, or the 120 Days of Sodom?
The dominant colors across the sampled frames of Salò, or the 120 Days of Sodom (1975) are #342f2c, #53514b, #8d918a, #d0cfc9, #a8978d, #121110 — measured from the per-frame color data FrameThrower extracts for every film.
#342f2c#53514b#8d918a#d0cfc9#a8978d#121110
See the full Salò, or the 120 Days of Sodom colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 53 frames of Salò, or the 120 Days of Sodom (1975), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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