Forbidden Games (1952)
Directed by René Clément · Cinematography by Robert Juillard
86 min65 frames
DramaWar
War ... and how it affects the lives of our children
Stills, screencaps & shots from Forbidden Games
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Forbidden Games — official trailer
What is Forbidden Games about?
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.
Where can you watch Forbidden Games?
US availability for Forbidden Games (1952). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Forbidden Games?
Who made Forbidden Games?
What does the cinematography of Forbidden Games look like?
Sampled across 65 frames, the coverage of Forbidden Games leans on medium shots (54% of the sample) and wide compositions (23%). Cinematographer Robert Juillard keeps 46% of it in soft, naturalistic light. Vintage glass shapes the frame. The production design places the film in the 1940s.
What is the color palette of Forbidden Games?
The dominant colors across the sampled frames of Forbidden Games (1952) are #040404, #494949, #8a8a8a, #cdcdcd, #aeaeae, #717171 — measured from the per-frame color data FrameThrower extracts for every film.
#040404#494949#8a8a8a#cdcdcd#aeaeae#717171
See the full Forbidden Games colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 65 frames of Forbidden Games (1952), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by René Clément
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