Fellini – Satyricon (1969)
Directed by Federico Fellini · Cinematography by Giuseppe Rotunno
R129 min61 frames
DramaFantasy
Rome. Before Christ. After Fellini.
Stills, screencaps & shots from Fellini – Satyricon
16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Fellini – Satyricon — official trailer
What is Fellini – Satyricon about?
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.
Who stars in Fellini – Satyricon?
Who made Fellini – Satyricon?
What does the cinematography of Fellini – Satyricon look like?
Across 61 sampled frames, Fellini – Satyricon builds its coverage from wide compositions (51% of the sample), with medium shots (28%) carrying much of the rest. Cinematographer Giuseppe Rotunno keeps 51% of it in soft, low-key light. 48% of the frames play at night or in the failing light of dusk. Deep focus keeps foreground and background readable at once in 66% of the frames.
What is the color palette of Fellini – Satyricon?
The dominant colors across the sampled frames of Fellini – Satyricon (1969) are #322e2a, #53504a, #141210, #958b76, #d2d0cc, #88796c — measured from the per-frame color data FrameThrower extracts for every film.
#322e2a#53504a#141210#958b76#d2d0cc#88796c
See the full Fellini – Satyricon colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Federico Fellini
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