Everything Everywhere All At Once (2022)

Directed by Daniel Scheinert, Daniel Kwan · Cinematography by Larkin Seiple

R139 min58 frames

ActionAdventureScience Fiction

The universe is so much bigger than you realize.

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Stills, screencaps & shots from Everything Everywhere All At Once

16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Everything Everywhere All At Once (2022) — © IAC Films, AGBO

Everything Everywhere All At Once — official trailer

What is Everything Everywhere All At Once about?

An aging Chinese immigrant is swept up in an insane adventure, where she alone can save what's important to her by connecting with the lives she could have led in other universes.

Where can you watch Everything Everywhere All At Once?

US availability for Everything Everywhere All At Once (2022). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Everything Everywhere All At Once?

Who made Everything Everywhere All At Once?

What does the cinematography of Everything Everywhere All At Once look like?

Sampled across 58 frames, the coverage of Everything Everywhere All At Once leans on medium shots (50% of the sample) and close-ups (34%). Cinematographer Larkin Seiple keeps 41% of it in soft, low-key light. Anamorphic glass shapes the frame. Focus stays shallow in 83% of the frames, isolating subjects from their surroundings.

What is the color palette of Everything Everywhere All At Once?

The dominant colors across the sampled frames of Everything Everywhere All At Once (2022) are #0c0c0d, #2c2e2c, #f0f1f2, #505350, #ccb290, #948c78 — measured from the per-frame color data FrameThrower extracts for every film.

  • #0c0c0d
  • #2c2e2c
  • #f0f1f2
  • #505350
  • #ccb290
  • #948c78

See the full Everything Everywhere All At Once colour palette — every hex with its share, plus warmth, saturation and luminance.

Everything Everywhere All At Once ranks in

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Techniques in this film

More films by Daniel Scheinert, Daniel Kwan

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