Down Terrace (2009)
Directed by Ben Wheatley · Cinematography by Laurie Rose
R89 min59 frames
CrimeDrama
You're only as good as the people you know.
Stills, screencaps & shots from Down Terrace
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Down Terrace — official trailer
What is Down Terrace about?
After serving jail time for a mysterious crime, Bill and Karl get out of jail and become preoccupied with figuring out who turned them in to the police. On top of that, the "family business" is on the rocks, and the motley crew of criminals who operate out of Down Terrace aren't feeling terribly trusting of one another. It might look like an ordinary house, but at Down Terrace, the walls are closing in..
Where can you watch Down Terrace?
Magnolia Selects Amazon ChannelStream
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US availability for Down Terrace (2009). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Down Terrace?
Who made Down Terrace?
What does the cinematography of Down Terrace look like?
Sampled across 59 frames, the coverage of Down Terrace leans on medium shots (42% of the sample) and close-ups (39%). Cinematographer Laurie Rose keeps 81% of it in soft, naturalistic light. This is largely a daylight film — 75% of the frames play in daylight. Focus stays shallow in 85% of the frames, isolating subjects from their surroundings.
What is the color palette of Down Terrace?
The dominant colors across the sampled frames of Down Terrace (2009) are #33322f, #adada9, #52524d, #d5d3ce, #8c8f8e, #74736e — measured from the per-frame color data FrameThrower extracts for every film.
#33322f#adada9#52524d#d5d3ce#8c8f8e#74736e
See the full Down Terrace colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 59 frames of Down Terrace (2009), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Ben Wheatley
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