A Field In England (2013)
Directed by Ben Wheatley · Cinematography by Laurie Rose
90 min63 frames
HorrorThrillerFantasy
Open Up And Let The Devil In
Stills, screencaps & shots from A Field In England
16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
A Field In England — official trailer
What is A Field In England about?
During the Civil War in 17th-Century England, a small group of deserters flee from a raging battle through an overgrown field. They are captured by an alchemist, who forces the group to aid him in his search to find a hidden treasure that he believes is buried in the field. Crossing a vast mushroom circle, which provides their first meal, the group quickly descend into a chaos of arguments, fighting and paranoia, and, as it becomes clear that the treasure might be something other than gold, they slowly become victim to the terrifying energies trapped inside the field.
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Who stars in A Field In England?
Who made A Field In England?
What does the cinematography of A Field In England look like?
Sampled across 63 frames, the coverage of A Field In England leans on close-ups (37% of the sample) and medium shots (29%). The camera returns again and again to low angles. Cinematographer Laurie Rose keeps 81% of it in soft, naturalistic light. This is largely a daylight film — 92% of the frames play in daylight. Anamorphic glass shapes the frame. Focus stays shallow in 67% of the frames, isolating subjects from their surroundings.
What is the color palette of A Field In England?
The dominant colors across the sampled frames of A Field In England (2013) are #030303, #8b8b8b, #494949, #2e2e2e, #6f6f6f, #cbcbcb — measured from the per-frame color data FrameThrower extracts for every film.
#030303#8b8b8b#494949#2e2e2e#6f6f6f#cbcbcb
See the full A Field In England colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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